As a sculptor specializing in large – scale works that explore themes of political conflict and issues
that resonate with a broad audience. My background and upbringing have significantly influenced
my choice of subject matter. Growing up in Cyprus, an island divided since 1974 for 50 years has
driven me to examine themes of division and boundaries, where friendships, neighbours, cultures,
and land are fractured.
My practice is deeply research-based, involving thorough investigations into history, politics, and
contemporary issues facing society. Usually starting point of my works is daily news. This not only
keeps me informed about global stories but also ensures my sculptures and installations remain
current and relevant.
I employ materials such as metal and wood in my works. The choice of material in my sculpture is
a crucial part of my practice. Materials like wood and metal are repurposable, allowing me to
transform one sculpture into another, thereby promoting sustainability. Additionally, I see metal
and wood as inherently political materials due to their extensive use in the war industry. Working
with metal gives me a sense of constant conflict, as I struggle to bend or cut it, questioning
whether I will win or lose the fight. This battle with the material reflects the tension and resistance
inherent in the medium, adding depth to the works. Moreover, working with metal evokes
memories from my childhood when I used to create small sculptures from metal sheet scraps in
my dad’s metal workshop. This personal history deepens my connection to the material and
profoundly informs my artistic practice.